Leslie Horvitz Book Reviews

BRIDES OF BLOOD by Joseph Koenig,

Avon, 1995, $5.50 ISBN 0-380-72258-5

Even before the latest wave of isolationism swept over Washington, agents and editors were warning their authors to be wary when it came to setting their novels in any country more exotic than the UK. There were exceptions to be sure, but they applied mainly to the Robert Ludlums who wrote big suspense blockbusters. Even then, they were careful to use sympathetic Americans as their protagonists.

Several years ago, when Martin Cruz Smith proposed the idea of making his hero a Russian detective, and not, say, an American gumshoe who somehow ends up investigating a horrific murder in Moscow, the publisher balked. Cruz Smith went ahead anyway, a decision in retrospect that seems inspired. Nonetheless, the precedent established by Gorky Park, still seems an aberration. It is worth recalling the model of Gorky Park in considering Brides of Blood. In fact, this book seems to demand such comparison.

Darius Baktiar is a man who has fallen through the cracks of the Iranian Revolution that toppled the Shah in 1979. He is a homicide detective and he is only trying to do his job as honestly and efficiently as he can. But the regimes that he serves are not nearly so interested in solving a case or seeing justice done. His old masters at SAVAK, the notorious secret police of the Shah, regard him as a traitor for having shot a corrupt thug in their ranks who would otherwise have gotten away literally with murder. But with the ascent of the Islamic fundamentalists, his act of righteous indignation is seen in an entirely different light. Not exactly a hero, he is allowed to continue in his old job. Which is how he becomes involved in a series of sordid killings that are linked to heroin trafficking and then to the smuggling of mycotoxins highly lethal substances derived from mushrooms whose only usefulness is as a weapon of biological warfare.

Any reader even remotely familiar with Philip Marlowe or Sam Spade would recognize Darius immediately. His marriage is on the rocks, he is suffering a crisis of confidence, and he has a pronounced fondness for drink. But by setting the novel in Iran of the mullahs, Koenig gives the stereotype a novel spin. It is Darius' failure to subscribe to the Islamic dogma that his wife clings to, that is in large part responsible for the disintegration of his marriage. His drinking doesn't help, either. Although alcohol is illegal, Darius position gives him access to as much alcohol as he can get his hands on.

His investigation leads him down an ever more bewildering path. He traces the drug and mycotoxin smuggling to a Shiite camp in southern Lebanon, where young women were transformed into fanatics ready to give their lives in the war against the Jews. These Brides of Blood have now dispersed, but their secret is one that everyone seems to covet. Former SAVAK agents swoop down to recruit Darius to their cause. The komiteh, the revolutionary guards whose authority supersedes that of the police, is equally interested. Darius is bludgeoned, shot at, arrested, tortured, and poisoned. His near miraculous capacity to rally after each successive blow may be an excusable lapse in the context of the genre if the hero has to stop to lick his wounds, what does the reader do to pass the time? It is one of the few points where Koenig sacrifices plausibility for the sake of the plot.

The story is filled with diverting asides about the customs and absurdities of a regime which condemns the exposure of a woman's ankle in the street, yet condones the idea of a man away on business marrying a woman for forty-eight hours so that he can have sex with her without being guilty of engaging in prostitution. Teheran, as Koenig depicts it, brings to mind Orwell's novel, 1984. This is a place where the graffito -- The Road to Salvation: Faith, Holy War, and Martyrdo is one that everyone but Darius seems to believe in. How a reader, with scant knowledge of Iran, will take to this novel is an other question.

Review by Leslie Alan Horvitz

Koenig photo by Knox Burger

NMM

This review appears in Volume IV number 2 of New Mystery Magazine

DEATH GOES ON RETREAT

by Sister Carol Anne O'Marie, Delacorte Press, ISBN# 385-31047-1 $21.95.

One of our favorite women novelists, and an actual Roman Catholic Sister, the author continues her cool, ironic and wise series of that supersleuth in black. Sister Mary Helen is on another murder case in the San Francisco Bay Area. We call this fine series of novels and their subgenre, "cozies with rosaries". It is refreshing to have the optimism and moral underpinnings of American Catholic literature reach out into the mystery form...especially when many mysteries novels these days have no moral underpinnings at all...many of the so-called woman's novels, in fact, are simple jingoist propaganda tracts dressed up with poisoned romance trimmings.

Critics and the marketplace tend to agree, the Sister O'Marie books sell well and get good reviews.

Sister Mary Helen and co-Sister Eileen, plagued with human frailties, (agedness, loss of memory and occasional cantankerous moods,) show up a week early for their annual retreat in the redwood mountains and discover they will have to stay at the lodge during a diocesan priests retreat.

Like all independent, hard-working, intellectual Northern Californian women, they decide to just kick back for a relaxing week of vacation...until a dead body is found.

Great dialogue, good and bad Catholics, HIGHLY RECOMMENDED.

Review by Linda Wong